2024
Kill Thy Neighbour| By Lucie Lovatt. Performed at Theatre Clwyd and Torch Theatre. Directed by Chelsey Gillard, Set and Costume Design by Elin Steele, Sound Design and Composition by Tic Ashfield | March/April 2024
The Importance of Being Earnest | By Oscar Wilde. Performed at Mercury Theatre. Directed by Ryan McBryde, Set and Costume Design by Katie Lias, Sound Design by Beth Duke | February 2024
The EU Killed My Dad | By Aaron Kilercioglu. Performed at Jermyn Street Theatre . Directed by Georgia Green, Set and Costume Design by Cory Shipp, Sound Design by Jasmin Kent Rodgman. Movement Direction by Adi Gortler | January 2024
2023
Under Milk Wood/Dan y Wenallt | By Dylan Thomas. Adapted by Mari Izzard. Performed at the Sherman Theatre. Directed by Emma Baggot, Set and Costume Design by Elin Steele, Sound Design by Russell Ditchfield, Video Design by Ryan Samuel Davies |August 2023
Papercut| By Andrew Rosendorf. Performed at Park Theatre 90. Directed by Scott Hurran, Set and Costume Design by Sorcha Corcoran, Sound Design by Chris Warner | June 2023
How to Succeed in Business Without Really Trying |Music and Lyrics by Frank Loesser, Book by Abe Burrows, Jack Weinstock and Willie Gilbert. Performed at Southwark Playhouse Large. Directed by Georgie Rankcom, Choreography by Alexzandra Sarmiento, Musical Direction by Natalie Pound, Set and Costume Design by Sophia Pardon, Sound Design by Joshua Robins | May 2023
Suddenly Last Summer | By Tennessee Williams. Performed at English Theatre Frankfurt. As Co-Lighting Designer with Jamie Platt. Directed by Josh Seymour, Set and Costume Design by Eleanor Bull, Sound Design by Lex Kosanke | April 2023
Orpheus Descending | By Tennessee Williams. Performed at National Theatre of Tirana. Directed by Nastazja Domaradzka, Sound Design and Composition by Rona Castrioti Berisha | March 2023
We'll Be Who We Are | By Naomi Obeng. Performed at Vaults Festival. Directed by Júlia Levai, Designed by TK Hay, Sound Design by Munotida Chinyanga, Produced by Alistair Wilkinson | February 2023
The Walworth Farce | By Enda Walsh. Performed at Southwark Playhouse Elephant. Directed by Nicky Allpress, Set and Costume Design by Anisha Fields, Sound Design by Joseff Harris | February 2023
2022
Grate | Performed at National Theatre of Kosovo. Directed by Nastazja Domaradzka, Set Design by Rudina Xhaferi, Costume Design by Yllka Brada, Sound Design and Composition by Rona Castrioti Berisha, Choreography by Behije Murtezi | December 2022
These Demons RnD | By Rachel Bellman. Performed at Seven Dials Playhouse. Directed by Jasmine Teo, Set and Costume Design by Loren Elstein, Sound Design by Tingying Dong, Video Design by Matt Powell, Illusions by Sam Lupton |November 2022
Not About Nightingales | By Tennessee Williams. Performed at Tobacco Factory. Directed by Nastazja Domaradzka, Set and Costume Design by Noemi Daboczi, Sound Design by Jovana Backovic. Production Managed by Dean Sudron |October 2022
Fefu and Her Friends | By María Irene Fornés. Performed at Tobacco Factory. Directed by Nancy Medina, Set and Costume Design by Aldo Vázquez, Sound Design by Elizabeth Purnell. Production Managed by Tabitha Piggott |October 2022
The Wonderful World of Dissocia | By Anthony Neilson. Performed at Theatre Royal Stratford East. Directed by Emma Baggot, Set and Costume Design by Grace Smart, Sound Design by Alexandra Faye Braithwaite Movement, Direction by Angela Gasparetto |September 2022
Help! We are Still Alive | By Imogen Palmer and Tim Gilvin. Performed at Seven Dials Playhouse. Directed by Georgie Rankcom, Set and Costume Design by Lu Herbert, Sound Design by Simon Arrowsmith |September 2022
Black, el Payaso | By Pablo Sorozábal. Performed at Arcola Theatre. Directed by Paula Paz, Set and Costume Design by Caitlin Abbott, Musical Direction by Ricardo Gosalbo |August 2022
Bogeyman | By Emily Aboud. Performed at Camden's People Theatre and Ed Fringe. Directed by Emily Aboud, Set and Costume Design by Hazel Low, Sound Design by Francesca Amewudah-Rivers and Produced by Grace Dickson |July 2022
Camp Albion| By Danielle Pearson. Performed at The Watermill Theatre. Directed by Georgie Staight, Set and Costume Design by Isobel Nicolson, Sound Design by Anna Short |July 2022
We Are the Best! | Adapted by Rebecca Glendenning. Performed at Live Theatre. Directed by Jack McNamara, Set and Costume Design by Lily Arnold, Sound Design by Mariam Rezaei |May 2022
Tapped | By Katie Redford. Performed at Theatre 503. Directed by Piers Black, Set and Costume Design by Ceci Calf, Sound Design by Conrad Kira. Produced by Bethany Cooper |March 2022
Forest Awakens / Code and dagger | By Kiln Theatre Youth Company. Performed at Kiln Theatre. Directed by Robin Olivia, Set and Costume Design by Debbie Duru, Sound Design by Roly Botha |February 2022
The Gift | By Janice Okoh. Performed at GBS RADA’s Theatre. Directed by Jasmine Teo, Set and Costume Design by Natalie Pryce, Sound Design by Sylvia Wan | January 2022
2021
A New Beginning | By Kiln Theatre Youth Company. Performed at Kiln Theatre. Directed by David Gilbert, Set and Costume Design by Roisin Martindale, Sound Design by Joseff Harris |August 2021
Barbarians | By Gorky and Filter. Performed at Guildhall Silk Street Theatre. Directed by Oliver Dimsdale and Victoria Mosley, Set and Costume Design by Amy Cook. Sound Design by Ieva Vati and Tom Dixon | July 2021
Everything Must Go | RnD By Caitlin McEwan at Playground Theatre. Directed by Lizzie Manwaring, Set and Costume Design by Eleanor Bull, Sound Design by Tingying Dong. Produced by These Girls |January 2021
2020
Invisibles | By Lola Lagos. Performed at Vaults Festival. Directed by Nastazja Domaradzka, Set and Costume Design by Isabella Van Braeckel, Sound Design by Nicola Chang. Produced by María Inés Olmedo | March 2020
The Spirit | By Thibault Delferiere in collaboration with Jack McNamara. Performed at Battersea Arts Centre. Set and Costume Design by Max Nicholson-Lailey. Produced by New Perspectives |February 2020
The First | By Barry McStay. Performed at Vaults Festival. Directed by Emily Jenkins, Set and Costume Design by Delyth Evans, Sound Design by Tingying Dong. Produced by Elizabeth Benbow | February 2020
Ms Julie | By Collide Theatre. Performed at The Place. Directed by Emily Louizou, Set and Costume Design by Ioana Andreea Curelea, Sound Design by David Denyer. Produced by Christina Fotinelli | February 2020
Utopia Room | Choreographed by Adélie Lavail and Olivia Grassot. Performed at The Place| January 2020
2019
You Game | Directed by Matthew Bosley, Set and Costume Design by Louis Carver, Sound Design by Herbert Homer for RADA Studios | November 2019
The Niceties | By Eleanor Burgess. Performed at Finborough Theatre. Directed by Matthew Iliffe, Set and Costume Design by Rachel Stone, Sound Design by Kate Marlais | October 2019
How We Begin | By Elisabeth Lewrenz. Performed at King’s Head Theatre. Directed by Elizabeth Benbow, Set and Costume Design by Delyth Evans | August 2019
Love and Money | By Dennis Kelly. Performed at RADA’s Gielgud Theatre. Directed by Ria Parry, Set and Costume Design by Ella Aukett, Sound Design by Herbert Homer. | May 2019
The Soldier Tale | By Stravinsky. Performed at Susie Sainsbury Theatre. Directed by Phil Sheppard | March 2019
The House of Yes | By Wendy MacLeod. Performed at Hope Theatre. Directed by Matthew Parker, Set and Costume Design by Rachael Ryan, Sound Design by Simon Arrowsmith |October 2019
Dear Marie Stopes |Composed by Alex Mills. Performed at Kings Place. Directed by Nina Brazier, Costume Design by Alexa Moore | September 2019
To See Salisbury | Directed by Vladimir Shcherban for RADA’s GBS Theatre | June 2019
Rambert: Curdled Glass | Choreographed by Archie White and Lily Potger. Performed at Jerwood Vanbrugh Theatre |February 2019
Romeo and Juliet |By William Shakespeare. Performed at Jerwood Vanbrugh Theatre. Directed by Edward Kemp, Set and Costume Design by Natasha Jenkins | February 2019
2018 and earlier
Linda | By Penelope Skinner. Performed at GBS Theatre. Directed by Abigail Graham and Set and Costume Design by Sarah Beaton | November 2018
Cathy | By Ali Taylor. Performed at RADA’s Gielgud Theatre. Directed by Rosie Jones, Set and Costume Design by Anna Cerpiel, Sound Design by Aiden Connor | October 2018
Julius Caesar | By William Shakespeare. Performed at RADA’s Gielgud Theatre. Directed by Vivian Munn, Set and Costume Design by Laura Haag | 2018
Dante’s Inferno | Directed by Roberto Valdo Cortese and Polly Creed and Costume Design by Tippi Wilson for Edinburgh Fringe
Of Blood | Directed by Vivian Munn and Set and Costume Design by Miguel Guzman for GBS Theatre | December 2018
Jazz Concert (Evo-blue-tion) | Directed by UCL Jazz Society for Adelphi Theatre |2016
Highway 61 | Directed by UCL Jazz Society for Camden’s People Theatre
Bug | Directed by Lovis Maurer for Bloomsbury Studio
Legally Blonde | Directed by Charlie Smith and Luke Mcgarey for Bloomsbury Studio Theatre
ASSOCIATE LIGHTING DESIGN
Stranger Things: The First Shadow | As Associate LD for Jon Clark. Written by Kate Trefry, Directed by Stephen Daldry and Justin Martin, Set Design by Miriam Buether, Costume Design by Brigitte Reiffenstuel, Sound Design by Paul Arditti, Composition by D. J. Walde, Illusions by Jamie Harrison and Chris Fisher, Video Design by 59 Productions, Movement Direction by Lynne Page. Performed at Phoenix Theatre | December 2023
Drive Your Plow Over the Bones of the Dead | As Associate LD for Paule Constable. Directed by Simon McBourney, Set and Costume by Rae Smith, Video Design by Dick S, Sound Design by Chris Shutt, Produced by Complicité for Theatre Royal Plymouth, Bristol Old Vic, Oxford Playhouse and Barbican Theatre | December 2022 through March 2023
two Palestinians go dogging | As Associate LD for Jackie Shemesh. Directed by Omar Elerian, Set and Costume by Rajha Shakiry, Video Design by Zakk Hein, Sound Design by Elena Peña for The Royal Court Theatre | April 2022
Cabaret | As Associate LD for Isabella Byrd. Directed by Rebecca Frecknall, Set and Costume by Tom Scutt, Sound Design by Nick Lidster for The Playhouse Theatre | October 2021
Camp Siegfried | As Associate LD for Rob Casey. Directed by Katy Rudd, Set and Costume by Rosanna Vize, Sound Design by Ian Dickinson for The Old Vic Theatre | September 2021
Mirror and The Light | As Associate LD for Jessica Hung Han Yun. Directed by Jeremy Herrin, Set and Costume by Christopher Oram, Sound Design by Nick Powell for Gielgud Theatre | September 2021
Amélie | As Associate LD for Elliot Griggs. Directed by Michael Fentiman, Set and Costume Design by Madeleine Girling, Sound Design by Tom Marshall for Criterion Theatre |May 2021
Les Miserables Concert | As Associate LD for Paule Constable and Warren Letton. Directed by James Powell and Jean-Pierre Van Der Spuy, Set and Costume by Matt Kinley, Video Design by Finn Ross and Sound Design by Mick Potter for Sondheim Theatre | December 202
Moonlight and Magnolias | As Associate LD for Jamie Platt. Directed by Kirsty Patrick Ward, Set and Costume by Tim Meacock for Nottingham Playhouse | February 2020
The Fishermen | As Associate LD for Amy Mae. Directed by Jack McNamara, Set and Costume by Amelia Jane Hankin for Trafalgar Studios and The Marlowe |September 2019